The deeply intellectual sculptures of Daniel Fiorda asks the viewer to say no to the established thought process and find hidden, subtle social issues: consumerism, environment or even the struggle against mortality. Here, concrete is both material and symbol. Each sculptural element is almost entirely made of reinforced concrete, cast in the shape of a miniature Brutalist building. These towers feature barely concealed found objects, almost fully engulfed by concrete, and yet still eerily discernible: industrial gears, old cameras and lenses, objects that evoke industrial and pre-digital eras. The overall sense is dystopian rather than apocalyptic. The towers and pseud-pyramids exude authority and uniformity, and the appropriation of old technology into new structures suggests a historical and technological challenge right around the corner, mirroring the ones in our recent past — most definitely a significant notion worth listening to; DanielFiorda.com.
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Generational Impact
For Key Biscayne-born Moncy & Sarah Blanco Hererra, raising their children in paradise is one of the greatest joys of their lives. The family is ingrained in the island community, giving back whenever and wherever they can to ensure they are consistently helping others in every way possible.
