The deeply intellectual sculptures of Daniel Fiorda asks the viewer to say no to the established thought process and find hidden, subtle social issues: consumerism, environment or even the struggle against mortality. Here, concrete is both material and symbol. Each sculptural element is almost entirely made of reinforced concrete, cast in the shape of a miniature Brutalist building. These towers feature barely concealed found objects, almost fully engulfed by concrete, and yet still eerily discernible: industrial gears, old cameras and lenses, objects that evoke industrial and pre-digital eras. The overall sense is dystopian rather than apocalyptic. The towers and pseud-pyramids exude authority and uniformity, and the appropriation of old technology into new structures suggests a historical and technological challenge right around the corner, mirroring the ones in our recent past — most definitely a significant notion worth listening to; DanielFiorda.com.
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Still Waters
Some of the pieces in this editorial took 300 hours to make. Some were crafted by hand in Miami. Some exist as one-of-a-kind in the world. Shot at the Ritz-Carlton Key Biscayne, Still Waters is an introduction to the women who build their businesses stitch by stitch, bead by bead, and to the women who wear them. Not because she was told to, but because she knows the difference.
Eternal Bonds
Key Biscayne has a way of slowing time — and the OUTSTANDING mothers OF KEY BISCAYNE who call it home are making the most of every moment, raising families where the water is always close and community runs deep.
