Cuba has produced a large number of amazingly insightful artists who create works that are both eye-pleasing and thought-provoking. Gustavo Acosta is among them. Inspired by American Realism, his interpretation of architecture as an emblem of power explores the social and political aspects that buildings represent. “It’s an investigation into the human condition, utilizing as testimony not the individual, but the individual’s creative footprint,” he says. His latest work at LNS Gallery — A Series of Unconnected Thoughts — utilizes his iconic style of vibrant, profound imagery of urban settings, at times intervened by a human presence or besieged by unruly nature, in conjuring intense moods in a reflection of lived realities. It’s filled with recognizable structures from the cities in which he has lived and visited — from Havana and Mexico City to Madrid, New York and Miami. All become the concrete formations within each composition that read as both beautiful, and sometimes disturbing; Thru Nov. 6; GustavoAcosta.com; LNSGallery.com.
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Still Waters
Some of the pieces in this editorial took 300 hours to make. Some were crafted by hand in Miami. Some exist as one-of-a-kind in the world. Shot at the Ritz-Carlton Key Biscayne, Still Waters is an introduction to the women who build their businesses stitch by stitch, bead by bead, and to the women who wear them. Not because she was told to, but because she knows the difference.
Eternal Bonds
Key Biscayne has a way of slowing time — and the OUTSTANDING mothers OF KEY BISCAYNE who call it home are making the most of every moment, raising families where the water is always close and community runs deep.
